Rayon Jouets
group show
The exhibition brings together some of the oldest toys found in the world, alongside recent works by contemporary international artists.
With works by some forty major and emerging contemporary artists and loans from four major museum institutions, Rayon Jouets presents a reflection on the toys that shape and condition our understanding of the world, from the earliest age.
Hangar Y
Meudon, France
With My Eyes, curated by Chiara Parisi and Bruno Racine
Vatican’s Holy See Pavilion
60th International Art Exhibition, Venice Biennale 2024
The pavilion is located at the Giudecca Women’s Prison
Casa Reclusione Femminile Venezia “Giudecca”
Calle de le Cape, 194
To visit the exhibition it is necessary to make an appointment, please contact the gallery
28 03 2024 – 03 09 2024
The Uncanny House
group show, curated by Ilaria Marotta and Andrea Baccin
In the wake of the widespread leitmotiv that nourished literary fantasy, fairy tales, horror stories and artistic creation alike since the early 19th century, The Uncanny House investigates the sense of unheimlich within the rooms of the Rome apartment where Johann Wolfgang von Goethe lived from 1786 until 1788.
Museum Cada di Goethe
Rome, Italy
*
20 03 2024 – 11 08 2024
Even Better Than the Real Thing
Whitney Biennial 2024
Describing sculptures like those included in this exhibition, Ser Serpas has said that “the act of making is a choreographed performance, of which the assemblage is the aftermath.” The performance begins in a city—in this case, New York, and specifically Brooklyn—with the artist collecting discarded objects that speak to her through their color, the ways they have become worn or torn, and their structural openness to being combined. Then she works with the objects’ orifices, odd junctures, and gravity to combine them into provisional sculptures. This process yields a feeling of potential energy just at the moment before an object’s collapse. The resulting sculptures become a kind of dual portrait: first of the city as seen through its cycles of consumption and decay, and then of the artist herself through the expressive choices she has made.
Whitney Museum
New York, USA
Stranieri Ovunque – Foreigners Everywhere
60th Venice Biennale
curated by Adriano Pedrosa
In addition to her sculptures which will be exhibited in various locations of the show, the artist will also perform several times during the opening days.
7 04 2023 – 5 01 2025
Amour Systémique
group show
This second collection narrative focuses on the motif of the grid, taken up by artists since the early 20th century.
Curated by Cédric Fauq and Anne Cadenet.
CAPC musée d’art contemporain de Bordeaux
Bordeaux, France
20 03 2024 – 02 09 2024
Le Monde Comme Il Va
group show
Bourse de Commerce – Pinault Collection
Paris
*
03 04 2024 – 16 08 2024
OPERA III: Anamorphosis
solo show, curated by Zihao Chen
Pol Taburet: Anamorphosis,” curated by Longlati, represents one of the individual exhibitions proposed for the opening of Wen’an Road’s novel space. The exhibition promises to feature an exclusive presentation of French artist Pol Taburet’s recent artworks, encompassing paintings and installations crafted over the past year. It also marks the artist’s premiere solo exhibition within the Asian continent.
Longlati Foundation
30 Wen’an Road, Jing’an District
Shanghai, China
16 03 2024 – 21 07 2024
Vieilles coques & jeunes récifs
group show
Frac Ile-de-France, Paris
*
03 04 2024 – 06 10 2024
Returning to the Sea
group show
Tag Art Museum
Qingdao, China
*
11 04 2024 – 02 02 2025
DIGITAL DIARIES
group show
Julia Stoschek Foundation
Berlin, Germany
*
31 05 2024 – 01 09 2025
Biennale Gherdëina 9: The Parliament of Marmots
curated by Lorenzo Giusti
South Tyrol, Italy
The exhibition – which has brought international contemporary art to the unique setting of the Dolomites, a UNESCO World Heritage Site, since 2008 – will take place once again in various venues around Ortisei/Urtijëi St. Ulrich as well as expanding into the surrounding areas of Val Gardena/Gherdëina Gröden. The pivotal themes explored by The Parliament of Marmots, are the wild as a creative dimension, multi-speciesism as a trajectory of becoming, and the mountain as a sewing ground and narrative dimension.
